Sixties folk meets seventies country-funk with a glimmer of bossa nova cool. Lithe guitar picking and precise lyrical excursions. That mesmerizing voice and phrasing. Working on around thirty tracks over three years, with contributions from a remarkable cast of players like guitarist Smokey Hormel (Tom Waits, Joe Strummer, Johnny Cash), Seyffert and Korkejian brought a selection of ten songs to Richmond, Virginia.
She specifically sought out Spacebomb, approaching Matthew E. White after a show in L.A. He remembers listening to the song she sent over and over, on and off the road, “‘One of These Days’ became our alarm when we woke up for almost all of that tour.” Anticipating this future collaboration, the tracks were created with breathing room for the Spacebomb touch and Trey Pollard’s sinuous symphonic arrangements. Back in California, Thom Monahan (Pernice Brothers, Devendra Banhart, Vetiver) brought all the elements together in a masterful final mix.
Eschewing notions of nomadic chic, Bedouine represents minimalism motivated by travel, paring down and paring down until only the essential remains. Her music establishes a sustained and complete mood, reflecting on the unending reverberations of displacement, unafraid to take pleasure along the way. At the end of “Summer Cold” Korkejian composed an interstitial piece to recreate the sounds of her grandmother’s street in Aleppo. Partly due to America’s role in destabilizing Syria, this sonic memory is the only way to return to her birthplace. Worlds that have been lost might only be accessed through a song, in a line or a melody or a trace of tape, but they must be looked for in order to be found, so she wanders on.